Tag Archives: norwich

PEACH CLUB – THE BITCH DIARIES // BABY PINK PUNK CASSETTE – OUT NOW!

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As I’ve written before, Norwich is the new Manchester (which itself is the new Glasgow, which in turn is the new London). Its primary export right now seems to be bands that I can’t help falling in love with and I’m usually not so fickle with my heart, especially when it comes to music. Is it because I’ve lived in London all of my life and have become jaded with the identikit bands that circulate the city’s venues like clones programmed to think their individuals. I’m sent demos evry day from bands who are trying way too hard to be the XX (and just as annoying) when all I really need to get me going is something original. Something with its roots not firmly planted in the capital’s circle-jerk of self-congratulating, band-clone machine. Norwich’s ability to create bands like Mega Emotion, Treasureseason and Let’s Eat Grandma while here in London we’ve created Rita Ora means I will always side with our friends in the East.

 

 

PEACH CLUB is my latest fascination. Katie Gilbert, Amanda MacKinnon, Rebecca Wren and Charlie Hart are not the Riot Grrrls you want, but they are the Riot Grrls that you NEED. Now I’ve never claimed to be the poster child for Feminist Punk (yet) but I know passion and talent and fire when I hear it. It’s the sound of rebellion, channelled through 4 girls who on the surface might look like butter-wouldn’t-melt, but in reality, butter would become a gaseous form and dissipate into the eyes of every person who dared to cross them. Don’t discount this as preachy feminism, as that’s not what this is at all. It’s a celebration of being young with opinions and the anger at all that has come before, with the veiled promise to smash down the walls that threaten to barricade them in.

 

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This is UK Punk on tape. Its incendiary. It’s a taste of things to come for a band who have only showed us a glimpse of their potential with this EP. It’s the kind of tape that in years to come will make people drool on Discogs, so buy now before I change my mind and set them all on fire cos sometimes I can be punk too.

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BUY THIS BEAUTIFUL BABY PINK GRRRL RIOT PUNK TAPE FROM POST/POP RIGHT HERE

and you can find out more about PEACH CLUB in these places:

http://soundcloud.com/peachclub(SoundCloud)
https://instagram.com/peachclubband(Instagram)
peachclubmusic.tumblr.com(Tumblr)
www.twitter.com/ppeachciubb(Twitter)

<3 Jed

ISLAND FOX // DOUBLE-A SIDE TAPE – TECTONIC // THINGS I’VE SEEN – APRIL 12TH

As I am writing this, Jess Bartlet aka Island Fox (aka the singer from TREASURESEASON) is painstakingly illustrating each of her just-to-be-released cassette tape, with her fox logo. Yes, it’s just a square and 3 triangles, but its alot more difficult than you think when you have me (Jed) blasting 90s dance hits in the office. Here are some photos with the song we were listening to while it happened. Y’know, so you can roleplay? She has one of the best voices around right now and you have probably heard her on other artist’s tracks adding her skills to dream-pop masterpieces left, right and centre. Her own release is a Double A-Side featuring “Tectonic” and “Things I’ve Seen”, both produced by Benjamin Abbott.

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MEGA EMOTION // LIMITED EDITION CASSETTE “UNCOMFORTABLE” OUT JAN 19TH.

Its purely a coincidence that POST/POP seems to be going Norwich crazy right now. First it was the fantastic Treasureseason, and now, quite by chance, its the equally fantastic, MEGA EMOTION! Then I thought to myself, “Jed, is this really a coincidence? Or do we all just have to face the fact the Norwich is the new Seattle?” I sat myself down and assured myself that these two bands are merely a fluke, and I don’t need to up sticks and move up the map and potentially come face to face with ancestors of Swein Forkbeard, the Viking King of Denmark who probably would not care much for the upturn in power-pop the city he tried to destroy has recently produced.

 

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So what we have here is the brand new single from MEGA EMOTION named “Uncomfortable”, and yes it does get quite awkward when I am singing along to this on the way into the office every day on packed trains. If I had to describe it in a sentence – which I kinda do – I would say that its like John Carpenter writing songs based on the works of Stephen King for OMD at their peak. It’s dark, its lyrically menacing, its catchy as hell and it’s very difficult to expunge from your brain once heard. Hear for yourself!

 

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