Category Archives: ADVENTURES IN HOME TAPING

CHOOSE YOUR OWN ADVENTURE (PXP006): MEET THE BANDS – DON’T FORGET YOUR DINOSAUR!

Welcome to the latest spotlight on one of the 26 bands/artists that will appear on the POST/POP vs Cassette Culture Collaboration Compilation (PXP006) released on March 26th. I aim to have one of these interviews every single day so by the time we release the album at the end of March you will know each band initmately! Next up is DON’T FORGET YOUR DINOSAUR! The thing I love most about DFYD is that they have introduced me to Dinocore. Everyone’s favourite dinosaur based sub-genre. I’ve already told them this, but when I first got ‘Breakfast With The Astronauts’, their submission to the Choose Your Own Adventure album, I thought to myself “WHAT THE DUCK IS THIS” and then proceeded to listen to it on repeat, lost in their dizzy world of dino-friends and dino-fiends. I’m excited for you to here it too, but before that, let’s see how they got on with those pesky questions…

 

Where are you from? Somewhere exotic? Are there any nice record shops there?

First of all, GREETINGS! DON’T FORGET YOUR DINOSAUR hails from the musty, pot smoked filled swamps of PREHISTORIA - a place one might only come across through vivid psychedelic exploration of the mind. Or you know, you can just take I-20 to the junction with I-49. The humanoids around here refer to this wasteland as Shreveport, Louisiana. As far as record stores go, ten years ago you’d be lucky to find a cummed on copy of Thin Lizzy’s “Jailbreak” in your Uncle’s porn stash. Now we’ve got several places carrying new and used albums. My personal favorite place has something like 100,000 albums, they’re called Campus Collectables. It’s where I go in search of the few Ventures records that I don’t own. We did recently have a new record store open called “Day Old Blues Records”. They’re carrying more new stuff than anything. I still search the Goodwills for as many copies of KISS’s “Destroyer” as I can find. I have a secret plan.

What genre would you pigeonhole yourself into? Y’know, if I had a gun to your head! (There’s a slim chance that in the future I may have to point a gun to your head due to sleepwalking)

“Pseudo-Psychedelic-Bubblegum-Surf-Punk”. Is that too long? Dinocore.

I’m bored of bands telling the world what their musical influences are SO, what are your non-musical influences? (people, movies, art etc)

DINOSAURS, outer space, dinosaurs in outer space, substances. This local BBQ joint called Big D’s Barbecue atop anything. It’s an old gas station turned into the most amazing BBQ place ever. The owner, Big D, he’s like our grandfather, and we’re his “white grandchildren” (his words). He’s known us for YEARS, always has a badass story to tell, or an ear to listen. Big D has let us have shows at this place during our entire relationship with him, too, through cops shutting it down, and trying to shut his restaurant down because of these shows, he’s always had our backs. He’s told them he’ll go to jail but we’re going to play. He’s probably the only reason any of the bands that we play with in our area exist. If you’re ever in Shreveport..err..Prehistoria, go check it out - 101 Common Street, Shreveport, LA 71101. It’s legit, we promise. Atop that: comic books, Saturday Night N64 Pizza Pocket Parties, 90s skate videos. Oh, and definitely Dick Dale - just as a human being for sure. The dude is pushing eighty, still surfs and tours, has been straight edge his entire life (not our thing but we respect it immensely), and after he got out of his Capitol contract he made it a point to tell musicians about the bullshit that comes with something like that. Now he’s pretty much DIY or die - we’re just stupid punk kids who have been playing together for nearly ten years, booking all of our tours with each other and recording ourselves and putting the albums out by ourselves. When your role model musician confirms your own philosophy, you tend to cling to them more than ever.

Oh, and Easy Rider. Definitely Easy Rider.

How did you find out about this collaboration/compilation and what made you send me your songs?

I’ve been a lurker on /r/cassetteculture for quite a while. My first albums were on tapes in the 90s. I’ll always have a love for them. When we’ve gone out on tours, we always come across TAPES TAPES TAPES, and we only had a tape player in the van, so we started listening to the tapes we’d buy instead of waiting to get home, along with the cassette adapted iPod, UNTIL our van got broken into in Chicago last winter and they stole my iPod, none of our gear - which was really fortunate. So we really got into the tapes we brought along, stuff from Jeffery Drag Records who have always hooked us up, bands we were playing with, our good friends from Chicago MAGIC MILK, etc. I decided to submit the songs because I loved the “CHOOSE YOUR OWN ADVENTURE” concept and figured I didn’t stand to lose anything by sending in some tracks. I didn’t really think anything would come of it, but you seem to dig some of it, so we’re elated.

You are in a dusty room. Time hangs heavy in the air. Before you is an ancient table, carved from a twisted tree that once stood proudly atop a lost mountain. Upon this great table is a gilded envelope. You open the envelope slowly, knowing that it will give you the answer that you have been waiting for ever since you started this journey. You have lost many friends and gained untold enemies along the way. All for this. This moment. You carefully remove the parchment, feeling the edges until it draws blood. You notice not, as your eyes flicker across the page. Your blind companion, so loyal, even though you traded his eyes for safe passage and a mixtape, brings his ear close to your lips and asks you the question. “What did the letter say?” and your answer is…

It’s in braille, you read it!

Do you listen to tapes yourself? Do you think there’s a future for the format?

I do listen to tapes. Like I said earlier, it’s become something I actively search to collect more than vinyl now. It’s portable, it doesn’t scratch as easy. It’s cheaper. The cassette case gives just as much of an opportunity to create a visual aesthetic as a 12″ sleeve does. The coolest part is that you can do so much with a cassette, nearly as much as you can with a computer and some basic audio software. I remember twenty years ago playing with a microphone and a boombox in my room for hours and hours, learning how to slow down playback, record at half speed, etc. Hell, the first album my first band made was done so going straight to tape! Well, it was a microphone going into a tiny little cassette recorder, and it sounded like shit, but the energy was there and you could tell we meant something with it. The rawness of a cassette gets me going, the little crackles, having to flip the thing, rewinding it to hear a song again, rewinding too much, trying to fast forward and going to far. It’s a challenge, but when you get to that one track, you worked for it and it means so much more than clicking play on your iTunes. Kids today just don’t get what you had to go through even just ten years ago to come across music. And yeah, I do think tapes have a future. They’re already making a fundamental comeback in the DIY tour scene with trades and distros going on. You don’t have to invest $1200 to put your album out on vinyl for another band to take you seriously. Show them a tape (or a DIY CD for that matter, in a normal case and shit) and the ones worth knowing know you’ve put some work in and that you’re in for the long haul. Tapes mean something to the people that will buy them, and that’s what has and will keep it alive.

What’s the one thing people should know about you before they listen to your track?

The rhythm section of Don’t Forget Your Dinosaur is the reason to listen to it. Afroraptor (Jesse - Drums) and Jesusopteryx (Connor - Bass) have worked their asses off over the years creating this connection and dynamic between the two of them that I have never seen anywhere else. You should definitely try to hone in on what those two are doing. Also, you should listen on headphones and smoke drugs whilst doing so.

What’s the one thing people should know after they listen to your track?

That you listening to the track means more than just about anything else in the world to me. Put simply, one person acknowledging this one little thing we’ve done gives my life purpose. It’s given me drive to keep writing when I don’t have anything to write about, to keep playing when we’re exhausted, to keep driving when we’re falling asleep. It keeps thesedinosaurs from going extinct. Don’t you forget it.

- Dinosaurus (Jarod - Guitars and Mouth)

 

Thanks DFYD! Below are the bands I have interviewed who are also appearing on Choose Your Own Adventure (I keep almost writing Choose Your Own Dinosaur - maybe that will be my dinocore compilation album!) so have a read and get to know these future stars!


CHARLES STRICKLAND EXPRESS

MORMON GIRLS

REVUE

THIS COLD NIGHT

GIRLS ON THE BEACH & PASTY CLINE

OURSELVES THE ELVES

 

YOU CAN NOW PREORDER “CHOOSE YOUR OWN ADVENTURE” BY CLICKING HERE.

 

Jed

 

Adventures In Home Taping: Meet The Bands - Ourselves The Elves!

Welcome to the latest spotlight on one of the 26 bands/artists that will appear on the POST/POP vs Cassette Culture Collaboration Compilation (PXP006). I aim to have one of these interviews every single day so by the time we release the album at the end of March you will know each band initmately! Next up is OURSELVES THE ELVES, all the way from The Philippines! I’m so pleased to have a band on this album representing SE Asia, and the song in question, “I Wouldn’t Mind” sounds like Rilo Kiley before Jenny Lewis got too big for her boots. This is a good thing. Let’s see what they have to say for themselves…

Who are you? Where are you from? Somewhere exotic? Are there any nice record shops there?

We are Ourselves the Elves and we’ve been playing ever since the three of us met in a college dorm where we lived in when we were freshmen. We’re from the Philippines, where it’s sunny all the time, in the big city of Manila. It’s at the center of the country where anything and everything cool happens all the time so yes, there are some pretty nice record shops. You’d have to dig your way through, passing by a lot of lame record shops, to find them though. Although most of the records you’d get are old and beat up, the new ones probably sell for jacked up prices. If anything, the little bars where the little bands like us play are way cooler.
What genre would you pigeonhole yourself into?

Pop. Or pop/folk. POLK!

What are your non-musical influences?

Films, art, cupcakes, beer, Adventure Time, toasted marshmallows, brunch with our closest friends, people’s girlfriends and people’s boyfriends, nature, offensive jokes, our mommies and daddies, KFC

How did you find out about this collaboration/compilation and what made you send me your songs?

Our guitar player was looking for magazines to send our stuff to, and he came across the r/cassetteculture sub.

You are in a dusty room. Time hangs heavy in the air. Before you is an ancient table, carved from a twisted tree that once stood proudly atop a lost mountain. Upon this great table is a gilded envelope. You open the envelope slowly, knowing that it will give you the answer that you have been waiting for ever since you started this journey. You have lost many friends and gained untold enemies along the way. All for this. This moment. You carefully remove the parchment, feeling the edges until it draws blood. You notice not, as your eyes flicker across the page. Your blind companion, so loyal, even though you traded his eyes for safe passage and a mixtape, brings his ear close to your lips and asks you the question. “What did the letter say?” and your answer is……

“You know what, I forgot.”

Do you listen to tapes yourself? Do you think there’s a future for the format?

We used to, but would still be very much interested if ever we get more access to them in this time and age. Most of our record shops here don’t sell tapes anymore, and the artists we know of who record on tapes can be counted on fingers. To be honest, with the hegemony of the digital format, it’s hard to picture a great future for tapes. I mean, even with CDs nowadays, most people have been less kind. BUT with people like you guys who promote the format, as well as music lovers, collectors, and enthusiasts, the cassette tape will never die. As long as there are people who believe, we can always be optimistic. Hopefully, the number of tapes and the number of people who appreciate them will grow.

What’s the one thing people should know about you before they listen to your track?

That this track was recorded independently at our friend’s house. He had the mic, the computer, the audio interface, and the skills to mix and master. Almost all of our songs were done this way.

Also, it’s the last track from our first EP! http://ourselvestheelves.bandcamp.com/album/itll-be-alright-ep

What’s the one thing people should know after they listen to your track?

That we’re not all that. Most people listen to tracks like these and shove it under the labels ‘indie pop’, ‘cutesy’, ‘twee’ but we don’t want people to think that we’re all that. Since we have a whole bunch of other songs that don’t sound like this track, we’re currently working on being bigger than what people think we’re capable of.

Thank You Ourselves The Elves! Read more of the interviews from bands on the forthcoming CHOOSE YOUR OWN ADVENTURE album below!

CHARLES STRICKLAND EXPRESS

MORMON GIRLS

REVUE

THIS COLD NIGHT

GIRLS ON THE BEACH & PASTY CLINE

YOU CAN NOW PREORDER “ADVENTURES IN HOME TAPING” BY CLICKING HERE.

Choose Your Own Adventure (PXP006): Meet The Bands – GIRLS ON THE BEACH and PASTY CLINE!

Welcome to the fifth AND sixth spotlight on two of the 26 bands/artists that will appear on the POST/POP vs Cassette Culture Collaboration Compilation (PXP006). I aim to have one of these interviews every single day so by the time we release the album at the end of March you will know each band initmately! This time around its 2 bands that share members.. it’s GIRLS ON THE BEACH and PASTY CLINE!

 

Where are you from? Somewhere exotic? Are there any nice record shops there?

Girls on the Beach and Pasty Cline are both projects I started in Orlando, Fl. Most of the Pasty Cline album, however, was recorded during a 5 month period I spent in Colorado.

As far as record shops, there’s a guy in Orlando named Rich who used to have a place called Vinyl Richie’s Wiggly World of Records. Not too long ago he moved the whole shop into his house and now you can go over there to browse and buy records. I haven’t been since he moved, but it sounds cool.

What genre would you pigeonhole yourself into? Y’know, if I had a gun to your head! (There’s a slim chance that in the future I may have to point a gun to your head due to sleepwalking)

Girls on the Beach to me is a blend of 50s/60s rock & roll and 60s girl group stuff, but you could just pigeonhole us into the modern garage movement.

Pasty Cline has a psych/folk vibe with a decent amount of 50s/60s country influence. In pigeonhole terms…indie folk? I dunno what that means.

I’m bored of bands telling the world what their musical influences are SO, what are your non-musical influences? (people, movies, art etc)

I think my 50s/60s nostalgia is one of my more commanding influences. Girls that break my heart. Psychedelic experiences. 80s high school movies (John Cusack, Ferris Bueler), That Thing You Do!, Wes Anderson, Quentin Tarantino and Robert Rodriguez, Coen Brothers, Sam Raimi, Woody Allen. Comic books, X-Men, East of West, God is Dead. Brian Wilson. Phil Spector. Beer. Marijuana. Shane MacGowan. Twin Peaks. Searching for meaning, self discovery. Vonnegut. Dystopian literature. Bill Murray. Jack Donaghy. Ron Swanson.

 

 

How did you find out about this collaboration/compilation and what made you send me your songs?

I spend too much time on Reddit, /r/cassetteculture and /r/comicbooks specifically. You had a great compilation idea, of course I sent songs! I also think my writing style fits in with the literary theme.

 

You are in a dusty room. Time hangs heavy in the air. Before you is an ancient table, carved from a twisted tree that once stood proudly atop a lost mountain. Upon this great table is a gilded envelope. You open the envelope slowly, knowing that it will give you the answer that you have been waiting for ever since you started this journey. You have lost many friends and gained untold enemies along the way. All for this. This moment. You carefully remove the parchment, feeling the edges until it draws blood. You notice not, as your eyes flicker across the page. Your blind companion, so loyal, even though you traded his eyes for safe passage and a mixtape, brings his ear close to your lips and asks you the question. “What did the letter say?” and your answer is……

“So it goes…”

 

Do you listen to tapes yourself? Do you think there’s a future for the format?

Yes, and as long as there are bands and artists that have to do things for themselves I think cassettes will remain a popular option. It’s a cheap and somewhat easy way to self release music and way more interesting than some blank CD’s you bought at the store.

 

What’s the one thing people should know about you before they listen to your track?

Seems redundant at this point, but probably my nostalgic obsession with the 50s and 60s.

 

What’s the one thing people should know after they listen to your track?

Girls on the Beach is named after the Beach Boys song, and was originally meant to be an all male version of a 60s girl group.

Pasty Cline started with the album art, a visual pun on Patsy Cline drawn by Carly Jean Andrews (her talents surpass belief, http://carlyjeanandrews.tumblr.com/), who also happens to be the subject of the featured Girls on the Beach track as well as the opening track of the Pasty Cline album.

 

thanks guys, read some other interviews from the upcoming album below:

CHARLES STRICKLAND EXPRESS
MORMON GIRLS
REVUE
THIS COLD NIGHT

 

YOU CAN NOW PREORDER “CHOOSE YOUR OWN ADVENTURE” BY CLICKING HERE.

 

JED

 

Choose Your Own Adventure (PXP006): Meet The Bands - This Cold Night

Welcome to the fourth spotlight on one of the 26 bands/artists that will appear on the POST/POP vs Cassette Culture Collaboration Compilation (PXP006). I aim to have one of these interviews every single day so by the time we release the album at the end of March you will know each band initmately! Next up is Chase Morledge AKA This Cold Night. He also designed the j-card we are using for the album so he is a man of many talents! The track in question is ‘Yelva’ and it’s like a soundtrack to a dream you half remember, but for some reason it’s imagery stays with you all day. Here we go…

 

Hello! You are one of the 26 bands chosen for the POST/POP X CassetteCulture compilation. Congrats and thank you for letting me use your song. Just so everyone can know a little about you, who are you?

My name is Chase Morledge. I am the solo artist responsible for This Cold Night.

Where are you from? Somewhere exotic? Are there any nice record shops there?

I am from Austin, Tx-a.k.a. the oasis in the shithole that is Texas. There is a nice assortment of record shops in Austin. My favorite shop here is “End of An Ear.”

What genre would you pigeonhole yourself into? Y’know, if I had a gun to your head! (There’s a slim chance that in the future I may have to point a gun to your head due to sleepwalking)

Assigning oneself a genre is always a difficult task. I suppose I would fall most neatly under the Darkwave category.

I’m bored of bands telling the world what their musical influences are SO, what are your non-musical influences? (people, movies, art etc)

My music is influenced by the balance of beautiful and terrible human acts in this chaotic world. I also take influence from dystopian films and novels. I love Baudelaire’s Flowers of Evil. I love Edgar Degas’s L’Absinthe. I also take influence from unknown and unrecognized art/artists. I, especially, take influence from found-usually discarded-objects. For example, a single child’s shoe found in the wilderness. How and why was it left there? Where is the child now? What has happened?

 

How did you find out about this collaboration/compilation and what made you send me your songs?

I am a frequent lurker on /r/cassetteculture and learned about the compilation there.

Frankly, the reason I threw some tracks at this compilation was to try to get my name out there. I just started this project and I am looking for ways to share my music without completely seeming like a douche. I also am a huge fan of the sound of tape and am quite curious as to how one of my tracks will be enhanced by the digital to analog conversion.

You are in a dusty room. Time hangs heavy in the air. Before you is an ancient table, carved from a twisted tree that once stood proudly atop a lost mountain. Upon this great table is a gilded envelope. You open the envelope slowly, knowing that it will give you the answer that you have been waiting for ever since you started this journey. You have lost many friends and gained untold enemies along the way. All for this. This moment. You carefully remove the parchment, feeling the edges until it draws blood. You notice not, as your eyes flicker across the page. Your blind companion, so loyal, even though you traded his eyes for safe passage and a mixtape, brings his ear close to your lips and asks you the question. “What did the letter say?” and your answer is……

Fuck, I forgot my reading glasses.

(A long silence followed by deep sobbing)

 

Do you listen to tapes yourself? Do you think there’s a future for the format?

Yes and yes. The future of tape, in my opinion, is relatively bright. There is certainly a growing renewed interest in the format and I don’t see that stopping anytime soon. Of course, the format will never reach mainstream culture, but who would want it to? Fuck them. They would only commercialize such an individualized and wholesome format.

What’s the one thing people should know about you before they listen to your track?

Nothing. Have no expectations, you will only be disapointed.

What’s the one thing people should know after they listen to your track?

That I’m lonely and desperate and they should add me on Facebook and talk to me. https://www.facebook.com/fa380f3h0a3fa

 

Thanks Chase! Read more interviews with the bands featured on the upcoming POST/POP release below:

CHARLES STRICKLAND EXPRESS
MORMON GIRLS
REVUE

Jed

 

Choose Your Own Adventure (PXP006): Meet The Bands – REVUE!

Welcome to the third spotlight on one of the 26 bands/artists that will appear on the POST/POP vs Cassette Culture Collaboration Compilation (PXP006). I aim to have one of these interviews every single day so by the time we release the album at the end of March you will know each band initmately! Next up is REVUE! who is less a band more a hip-hop/spoken word superstar in the making. The track on the album is ‘Public Service Announcement’ and it unpick the stitching of hip-hop and leaves an open wound for us to stick our fingers into. Here she is!

Where are you from? Somewhere exotic? Are there any nice record shops there?

My name is Revue, and I am currently residing in Ogden Utah. There are a few good spots to pick up music out in these parts.

What genre would you pigeonhole yourself into? Y’know, if I had a gun to your head! (There’s a slim chance that in the future I may have to point a gun to your head due to sleepwalking)

I’d say that I would go in the Spoken Word Poetry genre.

I’m bored of bands telling the world what their musical influences are SO, what are your non-musical influences? (people, movies, art etc)

Mostly, my non musical influences come from life experiences and books because I read a lot. I also observe a lot and study when I can.

How did you find out about this collaboration/compilation and what made you send me your songs?

I found out by seeing the post on the r/cassetteculture subreddit. At the most, somebody would like my work, and at the least they wouldn’t, so I decided to go ahead and send something just to see what happened. I figured it couldn’t hurt, right?

You are in a dusty room. Time hangs heavy in the air. Before you is an ancient table, carved from a twisted tree that once stood proudly atop a lost mountain. Upon this great table is a gilded envelope. You open the envelope slowly, knowing that it will give you the answer that you have been waiting for ever since you started this journey. You have lost many friends and gained untold enemies along the way. All for this. This moment. You carefully remove the parchment, feeling the edges until it draws blood. You notice not, as your eyes flicker across the page. Your blind companion, so loyal, even though you traded his eyes for safe passage and a mixtape, brings his ear close to your lips and asks you the question. “What did the letter say?” and your answer is……

“It says, ‘Word on the street is that ancient platypuses spoke to the water and asked James if the checkerboard is going to get up past 7 o’clock. Plaid sweaters everywhere danced and said what the hell is wrong with you pulling my thread like that. What are you trying to do, stab my immortality!? GTFOH with that bullshit!”

And at the bottom of the letter it says the following:

“Is it true?’

Do you listen to tapes yourself? Do you think there’s a future for the format?

I just barely got into listening to tapes again. I started purchasing them recently because some of my favorite artists have made special edition packages of albums and are releasing limited batches of music that were previously unheard, or that won’t be printed again. If the artist is that good, I’ll scoop it up if the price is right. It’s tough for me to say whether or not there is a future for the format. I think it’s too soon to tell whether or not tapes will enjoy the same longevity that vinyl has had over the years. All I can do is throw my hat in the ring and see what happens.

What’s the one thing people should know about you before they listen to your track?

Everything I write is meant to be a conversation piece, meaning I invite people to talk about the topics and pull them apart. I want people to break down and analyze the “who”,”what”, “when”, “where”, “why”, “how” and “which-es” found in them, so feel free to spark some conversation on it.

What’s the one thing people should know after they listen to your track?

Download the rest of my work at my bandcamp page : http://revue1.bandcamp.com/. Physicals coming soon.

Thanks Revue! Read more of the interviews from the bands on the Choose Your Own Adventure album below:

CHOOSE YOUR OWN ADVENTURE (PXP006): MEET THE BANDS ~ Mormon Girls!

Welcome to the second spotlight on one of the 26 bands/artists that will appear on the POST/POP vs Cassette Culture Collaboration Compilation (PXP006). I aim to have one of these interviews every single day so by the time we release the album at the end of March you will know each band initmately! Next up is MORMON GIRLS. POST/POP is really representing Canada recently, as we are also releasing a tape for Kestrels in March. The song in question is ‘City Lights Scream’ and I picked it out of many great songs they have. Here’s the interview…

 

Hello! You are one of the 26 bands chosen for the POST/POP X CassetteCulture compilation. Congrats and thank you for letting me use your song. Just so everyone can know a little about you, who are you?

We are Mormon Girls. Tyson Wiebe (bass/vocals), Dave Banman (guitar), Jon Vornbrock (drums), and I’m Mick Hayward (vocals/guitar)

 

Where are you from? Somewhere exotic? Are there any nice record shops there?

Mick (MH): We are from Lethbridge, Alberta, Canada — Not so exciting. Farms and feedlots… there’s a river! Dave was born in Mexico. That’s definitely more exotic than Lethbridge.

As for record shops, we have one and lucky for us it’s really great — Blueprint Entertainment. Mike, who runs the joint is crazy supportive of our local scene and he gets in some wicked listens.

Tyson (TW): Plus, Adrian and Ryan (from our favorite band, Advertisement) both work there.

 

What genre would you pigeonhole yourself into? Y’know, if I had a gun to your head! (There’s a slim chance that in the future I may have to point a gun to your head due to sleepwalking)

MH: Gun to my head, eh? We were described as ‘Nu-Gaze’ in a recent review because of the shoegaze element, but there’s an indie rock and post hardcore influence that is there too. ‘Pigeonhole,’ however, makes me think of generic genre type so… alternative.

TW: Can’t believe you said “eh”. Stop stereotyping our country! If it were 2003 we’d get lumped in with emo. I’d say we are indie rock though.

 

I’m bored of bands telling the world what their musical influences are SO, what are your non-musical influences? (people, movies, art etc)

MH: Music is a huge influence obviously, but for me personally when I write non-musical influences are just as important. I’m super into film and reading (Kerouac, Burroughs, Vonnegut. The weird stuff.) I find myself writing songs that have been influenced by a feeling I got watching a movie or reading a book more often than when I listen to music. I thought of the band name at 4A.M. after a night of drinking, so I guess drinking too?

TW: I’m a big comic nerd so that influences me subconsciously I’m sure. Comic artists/writers that inspire me: Rick Remender, Andy Diggle, Steve Dillon, Robert Kirkman, Jock, Ryan Ottey, Warren Ellis, Matt Fraction, Brian Michael Bendis, Neil Gaiman, Scott Snyder, Grant Morrison and, of course, Alan Moore.

 

How did you find out about this collaboration/compilation and what made you send me your songs?

MH: Tyson works in a library and I work at a bank during the day, so the downtime is full of emails back and forth about ideas and things we find on the internet. He is definitely the more productive one and finds great blogs and opportunities.

TW: Norwegian Blue just re-emerged as a cassette/vinyl only label last summer. I found a bunch of like-minded individuals in the /r/cassetteculture thread. When an opportunity to contribute became available, I jumped on it!

 

You are in a dusty room. Time hangs heavy in the air. Before you is an ancient table, carved from a twisted tree that once stood proudly atop a lost mountain. Upon this great table is a gilded envelope. You open the envelope slowly, knowing that it will give you the answer that you have been waiting for ever since you started this journey. You have lost many friends and gained untold enemies along the way. All for this. This moment. You carefully remove the parchment, feeling the edges until it draws blood. You notice not, as your eyes flicker across the page. Your blind companion, so loyal, even though you traded his eyes for safe passage and a mixtape, brings his ear close to your lips and asks you the question. “What did the letter say?” and your answer is……

MH: It said nothing. There was a sketch of an eyeless man on the paper.

TW: “42”

 

Do you listen to tapes yourself? Do you think there’s a future for the format?

MH: Honestly, I’m just starting to again. When I was a kid I nearly wore out a couple of my Dad’s that I stole from him. Beastie Boys - License to Ill, Green Day - Dookie and Nirvana – Unplugged were the hard hitters for me. The resurgence of vinyl is definitely one I have fully embraced and now that cassettes have some steam again it’s a great way to hear independent bands for a reasonable price. Price-point aside, it sounds pretty sweet. I don’t think it will go as far as vinyl has again with major label distribution, but it should become a viable and more widely used format of independent music.

TW: Yes and yes! My most recent purchase is Tears For Fears - Songs From the Big Chair. Bought it for $.50 at the thrift shop! Cassettes will always be around because people love the human touch of the format. People like Bart Records/Revolution Winter in Calgary, Alberta; Ritual Tapes in Louisiana; Fleeting Youth and Graveyard Orbit from Texas; and now, POST/POP from London, won’t let this format go down without a fight.

As the t-shirt from Bart Records says, “Hometaping is Saving Music.

 

What’s the one thing people should know about you before they listen to your track?

MH: I wrote “City Lights Scream” when I was 17. It’s probably the first ‘good’ song I wrote and it has gone through some weird stages to make it to the final version. It’s nice to take the older songs I wrote as a solo artist and bring it to the guys to make it a Mormon Girls song by adding their parts and style. Now we are starting to have consistency with the new songs we are writing. It’s great.

TW: Mickey and I recorded an acoustic version of this song in my living room, circa 2009-ish. We were drinking heavily and he kept stomping the floor and shaking the mike. We have a copy of that somewhere.

 

What’s the one thing people should know after they listen to your track?

MH: We have more! Our EP “The Farm Sessions” is out on a random selection of coloured cassettes that can be purchased at www.norwegianblue.bigcartel.com and it has 5 tracks including “City Lights Scream.” We’re also working on new material! A new track, “Bears II,” will be available in April on a compilation we are putting out with Norwegian Blue Records, which is Tyson’s brainchild.

TW: After we recorded the acoustic version of City Lights, I turned it into an indietronic remix and auto-tuned the hell out of Mick’s voice. We have a copy of that somewhere too.

 

 

Thank you Mormon girls! Below are the other interviews from the bands on the compilation. Have a read and get ready for the March release!

 

CHARLES STRICKLAND EXPRESS

 

Jed

 

CHOOSE YOUR OWN ADVENTURE (PXP006): MEET THE BANDS ~ CHARLES STRICKLAND EXPRESS

Welcome to the first spotlight on one of the 26 bands/artists that will appear on the POST/POP vs Cassette Culture Collaboration Compilation (PXP006). I aim to have one of these interviews every single day so by the time we release the album at the end of March you will know each band initmately! First up is CHARLES STRICKLAND EXPRESS. The song in question is quite simply - and I don’t say this lightly - one of the greatest songs I’ve ever heard about the trials and tribulations of a modern day musician. It’s called ‘Ballad of the Virtual Musician’ and I think it’s going to be important!

 

Hello! You are one of the 26 bands chosen for the POST/POP X /R/CassetteCulture Compilation. Congrats and thank you for letting me use your song. Just so everyone can know a little about you, who are you?

My name is Charles Strickland and I’m a character from a wonderful book called ‘The Moon and Sixpence’ by Somerset Maugham.

 

Where are you from? Somewhere exotic? Are there any nice record shops there?
Yes, a very exotic Scottish city called Dundee. And yes it is home to possibly THE most legendary Scottish independent record shop of all time, it’s called ‘Grouchos’ and it has been here forever.

 

What genre would you pigeonhole yourself into? Y’know, if I had a gun to your head! (There’s a slim chance that in the future I may have to point a gun to your head due to sleepwalking)
Pop (gun).

 

I’m bored of bands telling the world what their musical influences are SO, what are your non-musical influences? (people, movies, art etc)
Ram Dass, Black Cat White Cat and most Powell/Pressburger movies. Antoni Tapies, Somerset Maugham, Lawrence Ferlinghetti, and some books most notably: ‘Catcher in the Rye’, ‘Steppenwolf’, ‘Generation X’, ‘On The Road’ and too many more of each to mention.

 

How did you find out about this collaboration/compilation and what made you send me your songs?
A long time lurker on r/cassetteculture and ‘Neztok’ follower on Twitter. There was something about the big hearted energy of this project that got to me and compelled me to contact you.

 

You are in a dusty room. Time hangs heavy in the air. Before you is an ancient table, carved from a twisted tree that once stood proudly atop a lost mountain. Upon this great table is a gilded envelope. You open the envelope slowly, knowing that it will give you the answer that you have been waiting for ever since you started this journey. You have lost many friends and gained untold enemies along the way. All for this. This moment. You carefully remove the parchment, feeling the edges until it draws blood. You notice not, as your eyes flicker across the page. Your blind companion, so loyal, even though you traded his eyes for safe passage and a mixtape, brings his ear close to your lips and asks you the question. “What did the letter say?” and your answer is……

Your mission on earth is to awaken from the illusion of separateness. God, Guru and Self are One.

 

Do you listen to tapes yourself? Do you think there’s a future for the format?
Yes, I have a large suitcase full of tapes that go way back. Everything from early 2 track recordings to the 4 track experiments of later periods. I love digging about in them and finding hidden gems I’d forgotten existed. Self indulgent I know but I also have several tapes purchased new this year from cassette labels.

I think the cassette resurgence is about a lot of different things, but to me the main one is about the re-materialization of recorded music. People need something that has aura, intimacy and a ritual element.
We are only just beginning to realize how diluted the power of music has become in the ipod age.

 

What’s the one thing people should know about you before they listen to your track?

That I’m probably old enough to be their father.

What’s the one thing people should know after they listen to your track?

That I hope their fathers are as cool as I am.

 

 

Thank you Mr Strickland. Stay tuned for another spotlight interview with one of the bands from Choose Your Own Adventure album, every single day!

Jed

 

Choose Your Own Adventure X /r/cassetteculture - and the 26 winners are…

If you have read this… http://postpoprecords.wordpress.com/2014/01/13/choose-your-own-adventure-a-collaboration-with-reddits-rcassetteculture-pxp006-26-band-compilation-album/

you will know that I recently ran a competition in collaboration with Reddit’s /r/cassetteculture to find 26 bands to feature on our joint album. The album is named ‘CHOOSE YOUR OWN ADVENTURE’ for the reasons described in the above post.

It’s going to be a fantastic little tape compilation album with many unique styles, lots of different genres, spouts of genius and flashes of insanity. The tape will feature a unique short story to read while you are listening to the tape. If you read at a regular pace, it should soundtrack the story very nicely! There will be lots of lovely extras I will throw into the tape too, like stickers and maps and other things and will be limited to 50 tapes only. I realise that seems crazy for an album with 26 different artists on it, so I will see what demand is like and adjust accordingly. I’m happy with 50 though!

So the bands who will feature on the album are…. (Band Names on the right and this is in no particular order…)

Song For A Romantic Comedy -Token Lightning Foundation

Ballad of the Virtual Musician - Charles Strickland Express

Fanfare for the retired clown - Chris Ridire

Jean Jacket Blues - Girls on the Beach

Eventually America -Tremolo Ghosts

The Curtain - Pasty Cline

Breakfast With The Astronauts REDUX - Don’t Forget Your Dinosaur

Soul Stealer’s End - Night Steve

onyx -Geodesics

MYSTIC - AMULETS

Public Service Announcement - Revue

93 Lumina -Jump The Blinds

Yelva - This Cold Night

Alto Sax 3 - Suburban Coconuts

I Believe in Ghosts - Happy Hill

Lookin for Hell - Shitstorm

Rooms - Queen Bee Dream

Cutting Room Floor - Plastic Indians

Visiting My Brain - Happy Front

I Am The Moss - Tam Tam The Sandwich Man & The Magical Sugar Cookies

I Wouldn’t Mind - Ourselves the Elves

Ride - Masta Q

Autumn - Matthew Bedoya

Breaking Bikes AKA If Ignorance Is Bliss Then Why Am I So Unhappy? - High Adventure

City Lights Scream - Mormon Girls

No One Wants to Know - The Nomarks

I will update this post on almost a daily basis with bios and photos and more info on all of these bands. I will also try to do little interviews with them all so you know what you are getting into before you listen to the tape.

I plan to release it at the end of March and like all the other POST/POP releases will also be part of the British Library’s Archive where one tape will from each release will be placed for future generations.

This truly is a brilliant adventure for me and I hope you all join me!

CHOOSE YOUR OWN ADVENTURE: A COLLABORATION WITH REDDIT’S R/CASSETTECULTURE (PXP006) 26 BAND COMPILATION ALBUM! Released March 29th 2014

I am really excited about this one.

If you don’t already know r/cassetteculture, they are a subreddit that is keeping the DIY tape culture alive. Made up of a million micro-labels of die-hard tape enthusiasts (mostly from USA) who share stories, tapes and crazy finds with each other. Reading this forum gave me all the info I needed to start a label with cassettes as its main focus.

SO, main guy Neztok hooked me up with a collab where dozens of bands submitted songs for a compilation album celebrating cassette culture. The deadline hasn’t passed yet (Feb 6th) so I am still sorting through all of the entries. Every single genre is represented including some truly incred hip-hop and surf-rock!

The theme is CHOOSE YOUR OWN ADVENTURE, y’know, like the books! Those books form our childhood gave us early steps into the unknown. You’d never know where you would end up from one page to the next and thats exactly what I am trying to do with the album. You could fast forward and hear opera, rewind a few seconds and hear post-rock, fast forward a little and hear metal, fast forward a bit more and get some grimy hip-hop calypso. It really is an audio adventure.

What I aim to do with POST/POP is showcase bands you would most likely never hear. Like the start of a great adventure, all you have with you is a cassette, a tape player and your trust in me to guide you.

Full band listings and song titles after Feb 6th. This is gonna be BIG.

jed